иxϵKķֲv
иxyİռP(gun)Ҫ?yn)еyܾ漰µ˼(ni)ݣ҂挦(du)иxyҲ(yng)ԓһ(du)ôw(yng)ԓô°yļɾͽoҡϣo俼иͬW(xu)ṩ_ЧČW(xu)(x)c(yng)ԇ
~R^ӽY(ji)(gu)(f)sҲиxϵK֮һ挦(du)yѸٰɺc(din)?yn)鿼ԇr(sh)漰𰸵`ҪǾӵɺc(din)(du)ھӺ(jin)}sentence simplificationҪyɺc(din)ҪŪ(jin)֮иеyҪͣ
1. Z(y)öZ(y)cZ(y)ľ䣩
2. ͬλZ(y)
3. нY(ji)(gu)
4. that(do)ĸNľ
5. Y(ji)(gu)
6. (d)
7. b
8. (qing){(dio)
9. ̓MZ(y)
(du)ڲͬ͵yɵķҲһԵbҪr
1. λ~ھ
Herein lay the beginning of what ultimately turned from ignorance to denial of the value of nutritional therapies in medicine
2. ~ھ
Among the species of seabirds that use the windswept cliffs of the Atlantic coast of Canada in the summer to mate, lay eggs, and rear their young are common murres, Atlantic puffins, black-legged kittiwakes, and northern gannets
3. ~ھ
Implicit in it is an aesthetic principle as well: that the medium has certain qualities of beauty and expressiveness with which sculptors must bring own aesthetic sensibilities into harmony
4. ^ȥ~ھ
Accustomed though we are to speaking of the films made before 1927 as silent the film has never been, in the full sense of the word, silent
5. F(xin)ڷ~ھ
Missing until recently were fossils clearly intermediate, or transitional, between land mammals and cetaceans
ӵbĿҪЃɂ(g)
һDZǰIJֱ(qing){(dio)ĵľ䣺Accustomed though we are to speaking of the films made before 1927 as silentеaccustomedZ(y)(yng)ԓare֮Though we are accustomed to speaking of the films made before 1927 as silent֮ԌaccustomedǰǞˏ(qing){(dio)Ǟ˾ӵƽt(do)^_pЧĵһ͵䡣ԵZ(y)(yng)ԓǣFossils clearly intermediate, or transitional, between land mammals and cetaceans were missing until recently@NӽY(ji)(gu)^?yn)Z(y)Z(y)^L(zhng)(ľֱcetaceans)^Z(y)were missing until recently^̣^_pЧ䌢missingǰ@һF(xin)
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