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и (tng)ԇ˴}ʹ}

r(sh)g2020-12-11 13:35:48 иԇ ҪͶ

и (tng)ԇ˴}ʹ}

и (tng)x_(ki)ƽr(sh)ľ(x)Ǿ(x)ҲҪväĿyjbysСѼи (tng)ԇ˴}ʹ}gӭx!

и (tng)ԇ˴}ʹ}

1A(y)y(c)}

A(y)y(c)}nj(du)L(zhng)(du)ԒvY(ji)󌢕(hu)l(f)ηNIJœy(c)Ŀ@NĿһ(g)r}н(jng)(hu)F(xin)will@(g)ʾ(li)r(sh)B(ti)(dng)~A(y)y(c)}Ҋ(jin)ᆖ(wn)ʽŽ׷N

What will the man do after the conversation?

What will the student include in his assignment?

What kind of assignment will the professor give?

ڽA(y)y(c)}r(sh)ҪעA(y)y(c)}һ(g)ʮֳҊ(jin)rĴһ㶼F(xin)һƪϵĽY(ji)βͬr(sh)A(y)y(c)}ĴڳF(xin)r(sh)һ㶼vԒʹһ(g)hľӁ(li)oֻҪ½Y(ji)β (tng)hľһҪĽhӛ(li)@A(y)y(c)}Ĵ𰸡ʾhijҊ(jin)ͣHow about…/What about…/Why not…/Why don’t you…/Would you mind…/Would you please…/I have a suggestion for you./You need to…/You should…/You’d better…

2}

и (tng)}׌(j) (tng)(ni)M(jn)Ķx𰸵}Ҋ(jin)ᆖ(wn)ʽ

What does the woman imply about the new medical research?

What can we infer from the professor’s comment on the New England system?

}r(sh)Ҫм(x)xx(xing)?yn)}Ĵһ㲻(hu)нoҪ(du)σ(ni)M(jn)M(jn)һóӴεă(ni)ԣֻxx(xing)֪֮𰸌(du)(yng)ă(ni)ͬr(sh)}mȻϵļ(x)(ji)֮̎俼(ni)߀LJ@ȫ}չ_(ki)}r(sh)(sh)ڲ֪xһ(g)ôͿȥxȫ}ӽx(xing)@ӵx(xing)(sh)_

3 (tng)}

 (tng)}и (tng)}ĿһNdz}͡@N}Ŀv˕(hu)еһСփ(ni)xһȻ׌(j)@ (tng)ă(ni)ҳҪx(xing)ڿԇÿ (tng)}ж(hu)oһ(g)C(j)ĈD(bio)䳣Ҋ(jin)ᆖ(wn)ʽ飺

Listen again to part of the lecture, then answer the question.

What does the professor mean when she says this?

 (tng)}Ľ}˼·^ӻЩ}Ŀ؏(f)ĺxЩ}Ŀij(g)(x)TZ(y)ĺxҪ(j)Լ (tng)ă(ni)e}뿼ĵķă(ni)Щ (tng)}mȻ؏(f)һƒ(ni)DZ횽Y(ji)؏(f)ă(ni)еȥܵóԿԇ}r(sh)Ҫѵ^Xl(f)^؏(f)ă(ni)ҲҪ̻ؑȥ_

4ǷД}

ǷД}ҲиԇĸF(xin)^·f}ͣһгܶcἰă(ni)^Ƶľ׌eЩᵽġ}䳣Ҋ(jin)ij}ʽ

The professor discusses how an animal becomes a fossil after its death. Indicate whether each sentence below is a step in the process.

YES/NO

The animal dies.

The hard tissues decompose.

The soft tissues decompose.

The hard tissues remain.

ǷД}(sh)rc(x)(ji)}ă(ni)֮̎ҪP(gun)עеļ(x)(ji)֮̎ǷД}YESNOĴ?jng)(g)(sh)ƽģһ㲻(hu)F(xin)дȫYESNOr@һc(din)}r(sh)ДԼx(xing)Ƿxúm

5ּ}

ּ}ϵּ鿼(ni)ݵһN}ּ}Ŀlʷdz׺ÿƪи (tng)϶(hu)һּ}е?x)ɵּ}Ҋ(jin)ᆖ(wn)ʽŽ׷N

What is the main idea of this lecture?

What are the two speakers talking about?

Why does the student go to see his professor?

ּ}mȻlʸ(du)(li)f(shu)}yȲ(sh)и (tng)ϵ`}(hu)F(xin)_(ki)^1-2犃(ni)Еr(sh)}P(gun)I~P(gun)I~M߀(hu)(f)ἰֻҪץס_(ki)^ă(ni)܉Q(sh)и (tng)ּ}֮⣬ijЩּ}회ϸε}Ԛw{܉óȫĵֻּҪ (tng)ÿԒ_(ki)^׾䣬@Щ}Ŀһ}yҲ(hu)ܴ

6(x)(ji)}

(x)(ji)}˼xǿм(x)(ji)Ϣ}͡@и (tng)}пlߵһN}ÿƪƽ(hu)3-4}@N}Ŀľw(ni)ݷdz飬r(sh)g(sh)֡شă(ni)eă(ni)ݶܳɞ鼚(x)(ji)}Ŀ錦(du)Ҫü(x)(ji)}Ҫ(du)f(shu)Ԓᵽĕr(sh)gc(din)ƷQȶ⡣(x)(ji)}Ҋ(jin)ᆖ(wn)ʽŽ׷N

When will the woman go to the lab?

What does the word “anthropologist" mean? According to the passage, what is the most significant event in 2.000 B.C.?

Why does the critic dislike the ancient style of sculpture?

7Y(ji)(gu)}

Y(ji)(gu)}ϵĽY(ji)(gu)չ_(ki)鿼(ni)ݵ}ͣҊ(jin)ᆖ(wn)ʽŽ׷N

What is the organization of this passage?

How is the lecture organized?

What method does the professor use to develop his idea?

ڌ(sh)HԇY(ji)(gu)}òǽ(li)sܶ࿼X(ju)^?yn)κһƪ϶?hu)(dng)v“һNӵĽY(ji)(gu)”vf(shu)ă(ni)ֱҵǺyô@N}ĿҪڏ(f)(x)r(sh)쾚и (tng)Ď׷NҊ(jin)Y(ji)(gu)ÿNY(ji)(gu)ʲôֻ@}ĕr(sh)܉ᘌ(du)Ե (tng)}

8B(ti)}

B(ti)}ǿf(shu)Ԓˌ(du)ijԒ}ֵđB(ti)ȵ}͡@N}Ϳķ^VЩ}Ŀf(shu)Ԓˌ(du)ij˵đB(ti)Щtf(shu)Ԓˌ(du)ij¼đB(ti)߀е}Ŀ(hu)f(shu)Ԓˌ(du)ij^c(din)đB(ti)B(ti)}Ҋ(jin)ᆖ(wn)ʽ£

What is the professor’s attitude toward the expe rt on the television programme?

ڽB(ti)}r(sh)vԒ˵Z(y)Z(y){(dio)һ(g)dzҪĽ}f(shu)ԒͻȻF(xin)•׃Z(y){(dio)ͻf(shu)Ԓ؏(f)Y(ji)͵ȬF(xin)Ă(c)䌦(du)ijһֵđB(ti)ȡ (tng)@ӵľӕr(sh)һҪԱR(sh)

и (tng)ԇ˴}ʹ}ɡP(gun)£

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