【摘要】《圍城》是一部備受矚目的小說(shuō),其作者錢鐘書(shū)先生被譽(yù)為“20 世紀(jì)最偉大的學(xué)者”、“文化昆侖”。然而在這部廣受贊譽(yù)的作品中,作家塑造了許多性格迥異的女性人物形象,從對(duì)他們的描寫(xiě)中表現(xiàn)了作者對(duì)于不同女性人物的態(tài)度。

　　【關(guān)鍵詞】錢鐘書(shū);《圍城》;知識(shí)分子女性

　　《圍城》是我國(guó)現(xiàn)代文學(xué)史上學(xué)貫中西、融通古今的大學(xué)者錢鐘書(shū)的小說(shuō)代表作。美籍華人學(xué)者夏志清十分推崇這部小說(shuō),盛譽(yù)“《圍城》是中國(guó)近代文學(xué)中最有趣和最用心經(jīng)營(yíng)的小說(shuō),可能亦是最偉大的一部�！贝藭�(shū)博大精深,被譽(yù)為“新《儒林外史》”。其中通過(guò)塑造典型環(huán)境中的典型人物,展示了文中性格分明的女性知識(shí)分子獨(dú)像;也通過(guò)以點(diǎn)帶面,夾敘夾議的手法,展示了當(dāng)時(shí)社會(huì)中形形色色的女性群像。本文擬從先分析文章中知識(shí)分子的女性獨(dú)像,后分析作者在此書(shū)中的女性觀為脈絡(luò),試圖從這個(gè)角度出發(fā),幫助我們對(duì)錢鐘書(shū)的思想進(jìn)行更客觀更全面理解。

　　一、女性獨(dú)像

　　《圍城》中的蘇文紈 、唐曉芙、孫柔嘉等女性知識(shí)分子的起名用典,錢鐘書(shū)一方面“網(wǎng)羅理董,律求全征獻(xiàn)”,另一方面又達(dá)至“意解圓足而免于偏枯”,煞費(fèi)苦心地隱含了她們的吉兇禍福,一如《紅樓夢(mèng)》之中的“十二釵判詞”。

　　蘇文縱之名可引謝惠連的《雪賦》:“憑云升降,從風(fēng)飄零,素因遇立,污隨染成,縱心皓然,何慮何營(yíng)�！贝嗽�(shī)正注釋蘇文縱在小說(shuō)中的際遇,空有蘇小妹才名及法國(guó)博士帽,卻淪落到先與方鴻漸諸人玩愛(ài)情與智力的雙重游戲,待理想破碎,容顏漸老時(shí)草草下嫁,及至為人婦時(shí),又誘惑趙辛嵋與之發(fā)生私情,演繹了一出人生鬧劇。她工于心計(jì),喜歡男人簇?fù)碓谧约褐車?男人之間越是嫉妒吃醋,她越能欣賞玩味并從中得到所謂愛(ài)情的滿足。偽潔與易染使她追求的女性新生活注定是媚俗的。

摘  要：描寫(xiě)武松出場(chǎng)到落草2龍山的10回（2103回到3102回），是《水滸》中最精彩的章節(jié)。其中的“打虎”、“殺嫂”、“斗殺西門慶”、“醉打蔣門神”、“大鬧飛云浦”、“血濺鴛鴦樓”，更是突出刻畫(huà)了武松的英雄形象。作者筆下的.武松性格中，充滿著古代英雄的力、勇、智、義，充分寄托著正能勝邪的理想。而比起其他水滸英雄來(lái)，武松的力、勇、智、義都表現(xiàn)出了更高的層次，代表中華民族對(duì)于俠義英雄的崇拜，放射著英雄主義、理想主義的奪目光彩。

關(guān)鍵詞：勇和力   剛正   復(fù)仇   機(jī)敏智慧   局限
 

Abstract: Describe and loose and appear on the scene to taking to the greenwood militarily ten times of Erlongshan (from 23 times to 32 times), it is the most excellent chapter in The Water Margin. It is among them " go tiger-hunting ", " kill by sister-in-law " , not " it is kill door not west celebrate to fight ", the " drunk to play by door god Jiang " , " make a scene by scud Pu ", " last mandarin duck floor blood ", have portrayed the military heroic stature that looses outstandingly even more. Loosing it in the personality militarily in the works of the author, is full of ancient heroes strength , brave , intelligently , justice , fully finding sustenance and can win the evil ideal . And come by hero compared with other the Water Margin, military strength , brave that loose,, intelligently, justice demonstrate high level, on behalf of worshipping to chivalrous hero of Chinese nation , are radiating the brilliant splendor of the heroism , idealism.

　　導(dǎo)語(yǔ)：我們?cè)谝话憧梢酝ㄟ^(guò)肖像、語(yǔ)言、心理以及動(dòng)作來(lái)描述一個(gè)人的形象。我們?cè)趯?xiě)人物形象英語(yǔ)畢業(yè)論文時(shí)首先我們需要列一個(gè)大綱，人物形象英語(yǔ)畢業(yè)論文大綱不僅可以貫通論文主旨而且也能讓我們能夠順利的寫(xiě)出人物形象英語(yǔ)畢業(yè)論文，下面小編整理了人物形象英語(yǔ)畢業(yè)論文提綱，歡迎參考借鑒！

　　題目：雙重文化身份融合：吉卜林小說(shuō)《吉姆》的后殖民主義研究

　　Contents

　　摘要

　　Abstract

　　Introduction

　　Chapter One Historical Background and The Postcolonial Theory

　　1.1 Historcial Background in Colonial India

　　1.2 The Postcolonial Theory

　　Chapter Two Kipling's Double Cultural Identities and Kim

　　2.1 Similar Life Experiences of Kipling and Kim

　　2.2 Similar Identity Confusion of Kipling and Kim

　　Chapter Three Kim's Double Cultural Identities

　　3.1 Kim's Indian Cultural Identity

　　3.1.1 Kim's Belonging to India as an Indigenous Indian

摘 要

高覺(jué)新是巴金在《激流3部曲》中以其大哥為原型精心造出來(lái)的1個(gè)著名的藝術(shù)典型。他貫穿作品始終，寄寓著作者愛(ài)與恨、批判與同情等復(fù)雜感情，也顯示也巴金卓越的人物塑造才能。正確認(rèn)識(shí)這1人物形象，對(duì)于我們理解整部作品的思想主題和藝術(shù)成就具有重要意義。在高覺(jué)新的性格系統(tǒng)中實(shí)際就結(jié)構(gòu)著多重對(duì)立的性格元素。他的`悲劇的形成是由多個(gè)方面的原因構(gòu)成的。本文就覺(jué)新人物性格的多重性、復(fù)雜性，性格反映民族文化心理的普遍性，及其悲劇意義，分析高覺(jué)新人物形象。
關(guān)鍵詞：高覺(jué)新；性格復(fù)雜；文化心理；悲劇意義

ABSTRACT

Gao Juexin is a famous artistic model that creates meticulously in “rapids trilogy” written by Ba Jin regarding his eldest brother as a prototype. He shows all the time. the complicated emotion in the article such as love and hatred, criticism and sympathy, ect. It also reveals. Ba Jin`s remarkable characterization ability. To know this personage image correctly. Has a significant meaning when we understand the theme of works and the artistic achievement. There are much heavy and opposite structure actually in the personality system of Gao Juexin. His tragedy is formed by a lot of respects. The article reflects the national culture psychology and tragic meaning from the university, the multiplicity and complexity of Juexin personality, and analyse Gao Juexin`s simage simply. Key words: Gao Juexin; The personality is complicated; Cultural psychology;
Tragic meaning

摘 要

賈母是《紅樓夢(mèng)》中貫穿始終的重要人物，作為賈氏家族的“寶塔尖”，她地位尊貴，身世顯赫，并且對(duì)于所擁有的權(quán)威具有高度的自覺(jué)性；同時(shí)她又慈祥、通達(dá)、有遠(yuǎn)見(jiàn)、有理性。她是賈府這1封建家族的“龍頭拐杖”，既代表著家族的最高權(quán)力，也維護(hù)著家族的存亡發(fā)展，在賈府中起著極為重要的作用。然而，在她所扮演的.雙重角色中，她的人生卻是悲劇性的1生，甚至有人認(rèn)為賈母悲劇的深刻程度決不亞于寶玉和黛玉的情愛(ài)悲劇。
關(guān)鍵詞：紅樓夢(mèng)；封建家族；賈母；權(quán)威；維護(hù)；悲劇

ABSTRACT

Jia Mu is a important character who passes through “A Dream of Red Chamber”,as the top power of the Chia Mansion,she has grand rank and eminent life experience,in addition to,she has high consciousness toward to the lordliness owned; Besides, she is amiable, understanded,far-sighted,thinking.She is the highest rank Chia Mansion,not only stand for the top power of Chia Mansion but maintain the development of the family,and she has important effect in Chia Mansion.However,her life is a tragical in the double roles she acts,even someone thought that her tragical grade is no less than pao-yu and dai-yus.
Key words: A Dream of Red Chamber; feudal family; Jia Mu ; authority;
maintained; tragedy

　　摘 要

　　農(nóng)民意識(shí)存在于不同的個(gè)體有著不同的表現(xiàn)，但至少可以肯定的是農(nóng)民意識(shí)是農(nóng)業(yè)文明的產(chǎn)物，是傳統(tǒng)文化的重要表現(xiàn)，畢業(yè)論文：豬八戒形象反映的封建社會(huì)的農(nóng)民意識(shí) - 語(yǔ)言文學(xué)畢業(yè)論文�！段饔斡洝分胸i八戒是一個(gè)個(gè)性化色彩較濃的形象，這是一個(gè)融豬性、人性、神性為一體的形象。豬八戒的外部特征體現(xiàn)出他是個(gè)典型的農(nóng)民，有著農(nóng)民似的憨厚、吃苦耐勞優(yōu)良品質(zhì)。也擁有農(nóng)民的精明、智慧和經(jīng)驗(yàn)，為取經(jīng)事業(yè)的成功做出了很大的貢獻(xiàn)。同時(shí)，豬8戒的.性格表現(xiàn)出來(lái)的另1個(gè)所謂“普通人民的生活愿望”，是自私、耍小狡猾和貪便宜。為了孫悟空平時(shí)對(duì)他的“不公平待遇”而公報(bào)私仇，這是一種鮮明的農(nóng)民意識(shí)。

　　作者基本上是將他作為一個(gè)老好人形象加以肯定的，但同時(shí)又十分真實(shí)地寫(xiě)出了他的各種性格缺陷。善惡并存美丑共舉，使性格趨向個(gè)性化。有一點(diǎn)我們必須肯定的是在取經(jīng)的途中，豬八戒用他那些良好的農(nóng)民意識(shí)幫助了師徒四人沖破了許多困難，在取經(jīng)事業(yè)中占據(jù)著不可替代的地位。

　　關(guān)鍵詞：豬八戒；思想性格；行為特征；農(nóng)民意識(shí)

　　ABSTRACT

　　The farmer realizes exists has the different performance to the different individual, but at least may firmly be farmer consciousness is the agricultural civilization product, is the traditional culture important performance. "Monkey" center the zhubajie is a each one nature color thicker image, this is melts the pig, the human nature, the divine nature is a body image. The zhubajie exterior characteristic manifests him is a typical farmer, has the farmer to resemble gruffly is thick, bears hardships and stands hard work the good quality. Also has the farmer to be astute, the wisdom and the experience, for learned from experienced people the enterprise success to make the very big contribution. At the same time, the zhubajie disposition displays another so-called "ordinary peoples life desire", is selfish, plays small sly and corrupt is cheap. Usually "the unfair treatment" uses ones office to redress personal grievances for Sun Wukong to him, this is one kind of bright farmer realizes.

摘   要

高覺(jué)新和孫少安是巴金《激流3步曲》和路遙《平凡的世界》中塑造的長(zhǎng)子形象。作為不同時(shí)代背景和社會(huì)氛圍中塑造的長(zhǎng)子形象，他們有著不同的責(zé)任應(yīng)承，不同的愛(ài)情態(tài)度，不同的自我犧牲和不同的價(jià)值追求等等。但作為長(zhǎng)子，他們有強(qiáng)烈的責(zé)任意識(shí)，雙重性人格，悲柔軟弱的行為模式等許多相似之處。因中國(guó)傳統(tǒng)封建思想的長(zhǎng)期灌輸和浸潤(rùn)，1些思想已經(jīng)積淀成為1種民族心理。隨著社會(huì)的發(fā)展，大家族逐漸解體，但是人們受封建思想的`影響的某些性格矛盾卻依然存在，不同時(shí)代的長(zhǎng)子的性格還是有著1脈相承性。“長(zhǎng)子們”要擺脫沉重的舊文化的“10字架”而真正的做回自己，放飛自我，發(fā)展自我，不但需要重塑自我性格，還需要整個(gè)社會(huì)的努力，將反封建的斗爭(zhēng)進(jìn)行到底。
    關(guān)鍵詞：長(zhǎng)子形象；文化性格；封建思想；自我選擇

ABSTRACT

     Gao Juexin and Sun Shaoan is the eldest son image in the novels.The former present in  "Turbulent current Three Inchworms" createad by Bajin, the other is showed in Lu Yao’s "Ordinary World" . As the eldest son image molds which as in the different time background and the social atmosphere, they have the different responsibility to accept, different love manner, different self-sacrifice and different value pursue and so on. However, they are both the eldest son, they have many similarities,such as: the intense responsibility consciousness, ambiguity personality, sad supple weak behavior pattern and so on . Their thought already accumulate into one kind of national psychology,since they were instilled by Chinese tradition feudalistic for a long time. Along with societys development, the respected family disintegrates gradually, but the people are been contradictory feudalistic thinking influence certain dispositions still exist actually, the different time eldest sons disposition has inherits the nature. "The eldest son" must get rid of the serious old culture "the cross" but true to do oneself, releases for flight, development, not only needs to remould the self- disposition, but also needs the entire social the endeavor, the struggle will be carried through to the end.
Key words: Eldest son image; Cultural character; Feudal; Self-selection

摘   要

吉普賽是1個(gè)有著苦難經(jīng)歷并保留著自己獨(dú)特傳統(tǒng)的流浪民族。19世紀(jì)上半期歐洲浪漫主義文學(xué)處于上升的時(shí)期，文學(xué)家秉著“自然”、“激情”的美學(xué)追求，把目光投向了吉普賽文化，并將吉普賽女性作為表現(xiàn)的對(duì)象，其中代表性的作品有雨果的`《巴黎圣母院》、普希金的《茨岡》和梅里美的《卡門》。《巴黎圣母院》中的愛(ài)斯梅哈爾達(dá)是真善美的化身，是內(nèi)美外秀的優(yōu)美之精靈；《茨岡》中的金斐拉是純樸自然的樸素之精靈；而《卡門》中的卡門則是放蕩不羈、野性自由之精靈。這3個(gè)形象雖然各具特色，但她們都具有吉普賽女性優(yōu)美的形體、自然狀態(tài)的愛(ài)情觀與生存方式。
關(guān)鍵詞：吉普賽文化；《巴黎圣母院》；《茨岡》；《卡門》；女性形象
 

ABSTRACT

The gypsy is has the misery to experience and retains own unique tradition to roam about the nationality.On 19th century half issue of European romanticism literature is in the rise the time，the writer is holding the"nature", "the fervor" esthetics pursue, went to the gypsy culture the vision, and takes the gypsy female the performance the object, representative work has Hugo Notre Dame of Paris, Pushkin Tribulus Post, Merimee Carmen.Notre Dame of Paris center La Esmerelda is the true, the good and the beautiful incarnation, is beautiful appearance, in a sincere and honest character exquisite demon;Tribulus Post center Jin Feila is the simple natural simple demon;but Carmen center Carmen is unconventional, demon of the fond of the countryside freedom. These three feminine image although each characteristic, but they all have the gypsy females exquisite physique, natural state love view and the survival way.
Key words: Gypsy culture; Notre Dame of Paris;Tribulus Post;Carmen;
Feminine image

摘   要

吳承恩在《西游記》中成功地塑造了許多栩栩如生的藝術(shù)形象，孫悟空即是其中塑造得最成功的典型之1。這1形象經(jīng)歷了由歷史到傳說(shuō)到文人作品的衍變歷程，日漸形成了集人、獸、神“3性1體”的藝術(shù)形象。從外在體貌而言，“毛臉雷公嘴，羅圈腿，拐子步，紅屁股，再帶上1個(gè)永不可脫的尾巴”，具有神性的孫悟空依然表現(xiàn)出特別突出的猴性。從內(nèi)質(zhì)上看，其思想表現(xiàn)越來(lái)越復(fù)雜，人性占上了主導(dǎo)地位。當(dāng)然，在孫悟空身上，猴性與人性并非彼此完全獨(dú)立，而是在對(duì)立中相互影響，相互交融，如其好動(dòng)性則是猴性與人性的交匯。從故事的衍變歷程來(lái)看，孫悟空從鐘天地之靈氣而生到大鬧3界再到西天取經(jīng)修成正果，正體現(xiàn)了猴性的'收斂與人的社會(huì)化的發(fā)展過(guò)程。在這1過(guò)程中，孫悟空由1只不懂世情的毛猴逐漸成長(zhǎng)為1個(gè)聰穎、機(jī)敏、善戰(zhàn)而又遵禮守法的社會(huì)人。這1過(guò)程正體現(xiàn)了1種“物-人-神”的進(jìn)化規(guī)律。
關(guān)鍵詞：《西游記》；孫悟空；猴性；人性
 

ABSTRACT

Wu Cheng-en has succeeded in moulding a lot of vivid artistic images in Journey to the West, Sun Wukong is one of the models moulded the most successfully among them . This image has been gone through from history to the development course to scholars work of the legend, have formed the artistic image of people , beast , spirit " three an organic whole " of collecting day by day. As regards external body looks, " Thunder Gods mouth of hair face, bowlegs , cripples step , red buttocks , take another tail that can never be taken off ", spirit Sun Wukong still demonstrates very outstanding monkey. In view of interior quality, its thought behave more and more complicated, leading status at the human nature. Certainly, on Sun Wukong, the monkey is not totally independent each other with the human nature , but influence on each other while setting against, blend each other, if its active is a monkey, with the crossing of human nature . According to development course of the story, from gather the efficacious air in the world  and grow to create an uproar in three circle learn from elses experience right fruit of building to Western Paradise and then of world Sun Wukong, reflect convergence and socialized evolution of people of monkey. In this course, Sun Wukong understand by one hair monkey of social trends grow into one intelligent alert. This course is reflecting a kind of " the thing - persons - spirit " evolution law .
Key words: Journey to the West; Sun Wukong; monkey nature; human nature

摘   要

《白鹿原》塑造了眾多的女性形象，她們都是悲劇人物。這些女性的悲劇深植于家族傳統(tǒng)文化的'土壤之中，深埋于社會(huì)的歷史長(zhǎng)河之中，深藏于人的本性之中。被侮辱與被損害的女性形象，她們承載的是對(duì)人性的思考；具有叛逆性格的女性形象，她們所顯示的是《白鹿原》歷史的厚重感；“沉默羔羊”式的女性形象，她們的悲劇是對(duì)傳統(tǒng)文化的反思。這3類女性形象共同構(gòu)建了1個(gè)內(nèi)涵豐富的女性悲劇世界。
關(guān)鍵詞：陳忠實(shí)；《白鹿原》；女性形象；悲劇意蘊(yùn)
 

ABSTRACT

The famous novel White-Deer Plain molded numerous female images, they are all tragic persons. The tragedy of these female persons was deeply planted in the soil of the household tradition culture, be deeply covered up in the long historys river of society, be embed in the persons natural character. The female image which was humiliated and injured, what they load is to the thinking of the human nature; the female image of revolt the personality, what they show is the famous novel White-Deer Plain decorous feeling of the history; The female image of" silent lamb" type, their tragedy is to introspect of the tradition culture. These three female images set up a female tragic world that content enrich together.
Key words: Chen Zhong shi;The famous novel White-Deer Plain;
Female image; Tragedy idea