英語(yǔ)導(dǎo)游詞（精選5篇）
作為一名具備豐富知識(shí)的`導(dǎo)游，有必要進(jìn)行細(xì)致的導(dǎo)游詞準(zhǔn)備工作，導(dǎo)游詞是我們引導(dǎo)游覽時(shí)使用的講解詞。優(yōu)秀的導(dǎo)游詞都具備一些什么特點(diǎn)呢？以下是小編幫大家整理的英語(yǔ)導(dǎo)游詞（精選5篇），希望對(duì)大家有所幫助。
英語(yǔ)導(dǎo)游詞1
Tsinghuas first phase of the building, in addition to Qinghua school, there is a school gate is two. Two is the earliest School of Tsinghua School, founded in 1909, the door is engraved with the marble Tong inscribed "Tsinghua Yuan" three characters. In 1933, the residential area of Qinghua University was expanded. The campus wall was moved outside, and the new west gate was built. From then on, it was customary to call the former gate "two school gate", which is the origin of the name of "two school gate". During the ten years of turmoil, the two gate was completely destroyed as the four old, and a large statue of Chairman Mao was built on the site, which was demolished in 80s. By the early 90s, under the initiative of some alumni and fund-raising, the school had agreed to rebuild it by photograph, and in 1991 it was restored to the campus. Now, the two school gate has become a landmark of Tsinghua Yuan, and the teachers and students who come here like to take pictures together.
The auditorium, the science museum, the west side gymnasium and the library are called the four buildings in the second installment of the Tsinghua University. The auditorium was built in September 1917, completed in March 1920, consuming a total of 3 years, it is a combination of Rome and the Greek style building, four two people encircle thick white marble pillars, bronze dome, in front of the door, looked very solemn and majestic, and it is located in the center of Tsinghua University, it has been the symbol of Tsinghua students and staff as their firm, simple, refuse to be cowed or submit character. The auditorium has a floor area of 1840 square meters, 27.6 meters high and 1200 seats. It is the largest auditorium and lecture hall in the domestic higher school. It can accommodate all the staff in the whole school. After the auditorium was built, a number of important meetings were held here, and many anti imperialist patriotic movements were mobilized from here. Now it is still a place for students to hold all kinds of activities, and every year, the bachelor degree of Tsinghua students is issued here. When Hongkong returned in 1997, the same song program group of CCTV came to Tsinghua University to perform in the auditorium.
In the construction of the auditorium, because the U.S. government does not trust Chinese building technology and building materials, so he is funded by the American government, American designers, building auditorium with a brick is from the United States by the Tanggu waterway transport to Tianjin, and then transported to Beijing, spent a lot of manpower and material resources. Now at Columbia University in the United States there is a building and building it as like as two peas.
The 2 buildings on the left are the first and second classroom buildings. The first classroom building was built in 1952, the first floor is the two large classrooms, two, third floor also has the size of a number of classrooms, when first built is one of the main school classroom, is still students self-study the classroom building. Second classroom building was built in 1954. It has three large classrooms and a large conference room. It has always been a place for students to study and study in class. Many conferences and activities are held here. In fact, the first and second classroom buildings represent the Soviet style architecture of Tsinghua Campus in 50s.
There are many small memorials in Tsinghua, among which the famous one is the sundial. It was a gift for my alma mater when class 1920 graduated. It is the upper Chinese classical Timer - sundial style, is engraved on the base of "actions speak louder than words" four words, this is the 1920 grade students said, Tsinghua University school, Tsinghua is to encourage students shaoshuoduozuo, carry forward the spirit of hard work. Sundial is a simple timer in ancient China. It represents time according to the position of the shadow produced by the suns rays on an inclined pointer. Generally is a pointer to a stainless steel encased in a stone disc center, then the disc reclining on a platform, the North South low at the upper end of the pointer is refers to the Arctic, Antarctic is refers to the end. The upper and lower sides of the disc engraved on 12 hours, when the sun of the south, the north is cast in the needle projection direction, it is noon. When the spring breeze comes, look at the shadow on the top of the disk. After the autumn wind, look at the shadow below.
Tsinghua Universitys motto is: unremitting self-improvement, social commitment. In 1914, Mr. Liang Qichao in the "gentleman" title to the Tsinghua students made a speech, in which he cited "Zhouyi" in the "dry", "Kun" two words read, "heaven, the gentleman to unremitting self-improvement; terrain Kun, the gentleman to social commitment," means that people should be like the day regardless of the weather operation, be strong, and without being disturbed. Man should be as meek as earth, and cultivate the noble character of being selfless and generous. Only in this way can we shoulder the heavy responsibility of building our motherland. After the speech, this character is the school motto, design the badge, thus forever.
英語(yǔ)導(dǎo)游詞2
Temple of Solitary Joy is located at inside west city gate of Ji County,Tianjin City. It is known for its refined architecture skill in Channelsancient buildings and has got the reputation of Six Best. These are: Theearliest Dingshan Gate (Gate of Withstanding Hill) of the ground hall preservednow; The earliest Chiwei object on the Hill Gate preserved now; The earliestplane distribution which took pavilion as the center on the architecture plane;The biggest clay sculptured statue of Avalokiteavara inside a pavilion in China;The Avalokiteavara is also the most ancient high storeyed one; The more preciousfact is that the Temple of Solitary Joy has stood unscathed after thousand yearsof rain, snow, wind and frost and 28 big attacks, hence the most durable ancientMonastery of thousand years.
Entering the Temple , the first comes to sight is 10 m high gate, on thearch of which there hangs a horizontal inscribed board: Temple of Solitary Joy.The single eaves ground hall roof was the roof building form during the westernTsin (AD265-316) and Southern and Northern Dyansty (420-589) period, which wascalled Siadading in ancient time and now it is called big roof. On the two endsof the plane ridge, there are inward Chiweis. Chi denoted sparrow hawk inancient time, which is a kind of fierce bird. The stand base of the gate iscomparatively low, but the hall pinnacle is much higher above eaves and thepottery animal figures look sturdy; solemn and sturdy. There is no ceilinginside the pinnacle, therefor the painted beam and purlieus are visible. Thewhole piece is exquisitely wrought, simple arranged and skillfully done, forwhich people gasp in administration.
Crossing the gate, one comes to the core building - AvalokitesvaraPavilion, 23 m in height. Form outside appearance, it is two storeyed, butinside there is a hidden storey, thus three storeyed in fact. On the eavescorners, pottery unicorns are sculptured, on which little Buddha statues ride.Copper bells are hung under eaves corners, swaying with the wind, a speciallyrefined scene. The most attractive thing is the structure of Dougong (sets ofbrackets on top of the columns supporting the beams within and roof eaveswithout——each set consisting of tiers of outstretching arms called Gong,cushioned with trapezoidal blocks called Dou). It is made of overlapping Dougongshaped wood blocks and bow shaped horizontal wood bars by adopting 24 forms witheach layer stretching out as bracket, big in upper part and small in lower part,thinly scattered, steady and sturdy. It makes eaves of the pavilion look likeflying, far and deep in the sky, a beautiful and magnificent view.
Entering the Avalokitesvara Pavilion, the very sight is a huge standingAvalokitesvara Statue. If one stands by it, his height is only up to her ankle.The Statue, 16.27 m in height, is the biggest clay sculpture of Avalokitesvarain China. Two statues of attendant Bodhisattvas under the knee of Avalokitesvaraare also 3 m in height. On the crown of the head of Avalokitesvara, there are 10small Avalokitesvares heads, hence it is called 11 faces Avalokitesvara.Reviewing around the inner part of the pavilion, one can discover that pillarsof high and low storeys are not directly linked through, but the pillars of theupper storey are ed into the arch head of that of lower storey. The upperstorey of the pavilion is in a form of six corners empty well, while the lowerstorey is in a form of square empty well. This kind of structure is not onlybeautiful and strong, but also adds the space of the upper part of Budhastatues. On the four walls inside the pavilion, colorful murals are painted, thetheme of which is the images of 16 Arhats and 2 Ming Dynasty Emperors, which arethe earliest subjects of Buddhism. On he murals, 2 m high Arhats with 3 headsand 4 arms are extremely lifelike and Ming Emperors on the four walls are fullof power and grandeur. On the upper part of the murals, there are mountains,forest, cloud and river, while on the lower part, there are paintings of secularthemes with vivid and natural lines, which embody the superb the skill and artsof painting of ancient Buddhism in China.
英語(yǔ)導(dǎo)游詞3
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.
No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
英語(yǔ)導(dǎo)游詞4
you have seen the three main halls of the forbidden city. now i ` d like to show you around the hall of mental cultivation and the imperial garden . the hall of mental cultivation is situated is in the western part of the innermost enclosure and is symmetrical to fengxian (enshrinement of forebears) hall in the east. this hall was built during the ming dynasty. it is a h-shaped structure consisting of an antechamber and a main building .the hall is surrounded by corridors. in front of the hall is the office of privy council.
before emperor kangxi of qing the dynasty came to power the hall of heavenly purity served as the living quarter of the emperors. emperor yongzheng chose to live in this hall and attended to every day state affairs from here .for the sake of protecting cultural relics, this hall is not open to the public .you can have a look at the inside from the door. the central hall was the audience chamber where the emperor read memorials, granted audience to officials and summoned his minsters for consultation. the western chamber of the hall was where the emperor read reports and discussed military and political affairs. the hall consists of many inner rooms and is decorated with images of buddha and miniature pagodas. on the screen wall there hangs a picture of two emperors in the han costume. in a southern room there three rare calligraphic scrolls, hence the name of the room “sanxitang” (room of three rare treasures) . the room on the eastern side is of historical interst because it was here that empress dowager cixi usurped power and made decisions on behalf of the young emperor . a bamboo curtain was used to separate them .
empress dowage cixi was born in 1835 in lu` an prefecture of shanxi province. she` s of manchurian nationality and her father was a provincial governor from south china. when she was 17 years old ,she was selected to become a concubine of emperor xianfeng and moved into the forbidden city. she gave birth to a son when she was 21years old and was made a concubine the following year. when the emperor passed away in the summer of 1861, her son ascended the throne and title of cixi, meaning “holy mother” was conferred upon her and she became the empress dowager. in that same year empress dowager cixi carried out a count coup d` etat and ruled behind the scenes with another empress dowager, ci` an, for 48 years. she passed away in 1908 at the age of 73. it was in reference to this situation that the term “attending to state affairs behind a bamboo curtain” developed .in 1912 , empress dowager longyu declared the abdication of the last qing emperor puyi. they were allowed to remain in the forbidden city for the next 13 years .the royal family was forced to move out permanently in 1924.
behind the central hall were the living accommodation of 8 successive qing emperors .three of them actually passed away here. the side rooms flanking the hall were reserved for empresses and concubines. now let` s continue with our tour. it will take us to the hall of heavenly purity , the hall of union and peace ,the palace of earthly tranquility, and the imperial garden.
英語(yǔ)導(dǎo)游詞5
Chongqing, located in southwest China, the Yangtze river and the jialing river interchange, and surrounded, wrap, river city mountain alongside water, cascade, both famous for jiang. The upper Yangtze river, 470 kilometers long from east, north and south 450 kilometers wide, with a total area of 8.2 square kilometers, and hubei, hunan, guizhou, sichuan, shaanxi and other provinces border. Is a famous mountain city of chongqing, it is the most prominent feature of the terrain ups and downs, stereo sense is strong.
Chongqing is a unique tourism resources. Throughout the city, the city of bashan stretches, YuShui vertical and horizontal, overlooking the has a long history, cultural heritage deep, form the mountain, water, forest, springs and waterfalls, gorge, hole, etc as one of the magnificent natural scenery and melt ba-yu culture, national culture, immigration culture, three gorges culture, the "capital" culture, urban culture in a batch of rich cultural color. From Xia Yuwang live with a door and not into the "" three TuShan old mark, many celebrities to the kuomintang and the communist party of work site; From big NingHe historic hanging coffins, and decisive to "fold the scourge of god" ocean fishing city sites; From well-known ancient and modern in the three gorges of Yangtze river, to the man who dazu grottoes, composed with chongqing characteristics of "mountain city scenery", "the Yangtze river three gorges tourism golden line" and "eight big characteristic tourist area", a total of more than 300 spots, of which more than 10 national cultural relics protection units.
Chongqing is Chinas famous historical and cultural city, has more than 3000 years long history and glorious revolutionary tradition, taking chongqing as the center of the Cuban chongqing region is the birthplace of ba-yu culture, the land gave birth to the chongqings long history. 2 ~ 30000 years ago the late paleolithic, for human life in chongqing area. The 11th century BC chow period, people in chongqing for capital, Pakistan has been established. Later qin destroy Pakistan, the world for 36 counties, the county is one of them. Jisheng period Pakistani territory to the original chongqing city as the administrative center, the jurisdiction of the northwest in eastern sichuan, western hubei, hunan and suck area. Since qin and han dynasties, the area most of the time as a unified administrative jurisdiction, the administrative center is located in the original chongqing.
Chongqing are Buddhism, Taoism, Islam, Catholicism and Christianity. Religious believers 100 more than ten thousand people, open 215 of religious activity venues, registration staff of 321 people. The masses of believers and religious people raised the banner of patriotism and support of the party and government leadership, for economic development and the construction of socialist spiritual civilization has made a contribution.
Chongqing people in one thousand to form the New Year the Spring Festival, 15 view lamp, the tomb-sweeping day ancestor worship, the Mid-Autumn moon and suspension wine festival, sit sedan, fly a kite, folk custom, compared with other parts of China the same. But because there are five tujia and miao autonomous county of chongqing, the two both passion and nation has its own unique folk traditional holiday. Sacrifice, prayer, festival activities such as tujia, miao "autumn", etc.
A mountain city of chongqing, has its own unique festival every year. Such as chongqing cuisine culture festival held every year in October or so, if you want to taste the famous snacks and flavor dishes, dont miss. Chongqing international drinks beer festival, and weighing the Munich beer festival, is the summer carnival. In addition, there are magnetic device mouth temple fair, TongLiang dragon Lantern Festival, dazu county fair and ghost town temple fair.
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