論孫悟空形象的悲劇性

摘   要

孫悟空是明代文學家吳承恩的名著《西游記》里的主要人物，迄今為止，世人對孫悟空這1形象的理解眾說紛紜。有人認為他是“人民斗爭”的代表人物，有人認為他是“失敗的深化英雄”，更有人認為他是 “新興市民階層”的代表人物，也有相當1部分人認為他是1個悲劇形象，不過對于他的悲劇意義也有很多種不同的理解。
本文集眾之所長，融入本人對這個形象的特別的理解，探討了孫悟空在個性思想的改變，從1個個性張揚的、追求自由的自由戰(zhàn)士淪為1個思想行動都受到束縛的“佛”；探討了他在感情尤其是愛情的缺失的悲劇，亦探討了他在所處的社會中的尷尬地位而因此形成的悲劇。
關(guān)鍵詞：孫悟空；悲劇性；自由；愛情；社會悲劇；《大話西游》；《悟空傳》
 
ABSTRACT

SunWukong is the famous figure of the famous work¬¬¬¬—— < Journey to the West > which wrote by Ming Dynasty writer WuCheng’en. To date, there are so many kinds of understanding of this figure, some people think that he is the symbol of  "the peoples struggle", many others think that he is " the deepening heroic failure", even many people think that he is "the emerging public sector" representative, also a considerable number of people think that he is a tragic image, but to the tragic image,there are also a very different meanings tragedy concepts.
This article merged some excellent works and mixed my opinion on this particular image.It discusses the changes in personality of SunWukong who as a freedom fighter become to a restricted action "Buddha"; It particularly discusses the feelings of love in the tragedy of the missing and also explored his position in contemporary society, thus creating the awkward position of the tragedy.
Key words: SuWukong, tragic; freedom; love; social tragedy; Seat Journey to the West;
SunWukong’s Biography
 

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