對(duì)近、現(xiàn)代手風(fēng)琴發(fā)展的回顧與思考

畢業(yè)論文

[摘要]手風(fēng)琴自從半個(gè)多世紀(jì)前傳入我國(guó)，已經(jīng)被群眾接受，牢牢地扎下了根。它是我國(guó)最具群眾性的樂(lè)器之1。本文主要從近代手風(fēng)琴的起源和發(fā)展來(lái)回顧手風(fēng)琴發(fā)展過(guò)程中的成�。粡姆治霈F(xiàn)代手風(fēng)琴發(fā)展中的不足來(lái)尋找改進(jìn)的對(duì)策；從探索和發(fā)展適合中國(guó)文化傳統(tǒng)和民族精神的作品風(fēng)格和演奏風(fēng)格中提出創(chuàng)立中國(guó)手風(fēng)琴學(xué)派的必要性。希望有益于手風(fēng)琴的發(fā)展，也對(duì)手風(fēng)琴人才的培養(yǎng)有所啟示。

[關(guān)鍵詞]手風(fēng)琴，民族，文化，傳統(tǒng)

Abstract: The accordion was introduced to our country over half a century ago, has already been accepted by the masses, root firmly . It is that our country has the mass musical instruments most. This text comes to review the success or failure in the accordion evolution from the origin and development of the modern accordion mainly; It is not enough to look for the improved countermeasure from analyzing modern accordion development; From explore and is it suit China cultural tradition and national works style of spirit and play style is it found Chinese necessity , accordion of school to put forward to develop. Hope for the development helpful to accordion, the enlightenment to some extent of cultivation of accordion talents too.

Keyword:  The accordion, the nationality, culture, tradition

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