論現(xiàn)場(chǎng)擴(kuò)聲及錄音工程中主要音頻效果器的用法異同

畢業(yè)論文

摘   要

本文針對(duì)錄音和現(xiàn)場(chǎng)擴(kuò)聲工程中錄音師和現(xiàn)場(chǎng)調(diào)音師在某種情況下工作互調(diào)的可能性，對(duì)兩工程中原理相同的主要音頻效果器的作用進(jìn)行對(duì)比。擬解決因職業(yè)、工作環(huán)境不同的情況下造成的對(duì)音頻效果器的誤用。文章從相同的音頻效果器原理入手，重點(diǎn)介紹兩工程的聲學(xué)環(huán)境的不同來(lái)突出主要音頻效果器的用法對(duì)比。
關(guān)鍵詞：錄音；現(xiàn)場(chǎng)擴(kuò)聲；均衡器；壓縮器；混響器  

 

ABSTRACT

This text expand sounds of project sound engineer and on-the-spot tuning teacher work possibility that transfer each other under certain conditions live to recording, carry on the contrast to the function of paying attention to the same main audio frequency result device of Central Plains of two projects. Plan to solve because the misapplication of the result device of the audio frequency that causes under the job , working environment different situations. Article proceed with the same audio frequency result device principle, introduce two project of acoustics difference of environments come , stress main audio frequency usage contrast of result device especially.
Key words: Sound recording; Scene sound amplification; Equalizer; Compressors; Reverberation

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