淺論“跨界”唱法
畢業(yè)論文
摘 要
在聲樂界，1些作曲家、歌唱家在創(chuàng)作與實(shí)踐中進(jìn)行了大膽的探索與創(chuàng)新， 客觀上打破了“唱法”的藩籬， 突破了分界線。真正好的作品、優(yōu)秀的.演唱， 自然會受到人民群眾的喜愛， 而不必為自己設(shè)置諸如“哪種唱法選擇哪首作品”的藩籬�！翱缃纭背ǖ男抡f法也正代表當(dāng)今多種演唱方法的融合與歌唱的未來發(fā)展方向， 這說明長久以來的幾種唱法之間的界限正日益模糊。
關(guān)鍵詞：跨界唱法；美聲唱法；民族唱法；通俗唱法；融合
ABSTRACT
Along with person livelihood of the people running water gentle cultural level enhancement, ideology and moral sentiment change, peoples music appreciation level has not merely satisfied the sole appreciation orientation, but changes Yuan, the opening, the omni-directional appreciation orientation many. In the vocal music, had more composers, the singer has carried on the bold exploration and the innovation in the creation and the practice, on was objective has broken "sang the law" the bamboo fence, broke through the separatrix. The really just right work, outstanding singer, naturally can receive peoples affection, but doesnt need to establish such as "which kind as oneself which first work sings the law to choose" the bamboo fence. But "the straddling of zones" which appears as a result of this kind of phenomenon the singing method new view also representative now many kinds of sings the method the fusion, this since explained long-time several kinds have sung between the law boundary to be day by day fuzzy.
Keywords: The straddling of zones sings the law；The beautiful sound sings the law；
The nationality sings the law ；Popularly sings the law； Fusion
引言
歌唱是最直接的1種情感表達(dá)方式，歌唱是無處不在、無時不有的。據(jù)查在我國810年時，在上海進(jìn)行了1次分唱法的比賽以后，中央臺的全國青年歌手大賽就開始把歌唱方法分為3大類：美聲唱法、民族唱法、通俗唱法。美聲唱法則是從西方引進(jìn)過來的，它于17世紀(jì)產(chǎn)生于意大利，以聲色優(yōu)美、發(fā)聲自如、音與音的連接平滑勻凈、花腔裝飾樂句流利靈活為特點(diǎn)，這種演唱風(fēng)格在此后的意大利及全世界的音樂體系中，獲得了大力的發(fā)展，運(yùn)用至今；民族唱法屬于我們本土的音樂，它自然樸實(shí)、奔放嘹亮、旋律流暢，是我們豐富的音樂文化遺產(chǎn)；通俗唱法可以說是中西結(jié)合的1種演唱方法，通俗易懂、時代性強(qiáng)、為大多數(shù)人所接受。
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