《瓊斯皇》的原型分析
畢業(yè)論文
Abstract
The production of The Emperor Jones early in the 20th century marked the final acceptance of Eugene O’Neill as one of the most important dramatists in America, and the play has become the greatest achievement of O’Neill’s experiment in expressionist drama. This thesis attempts to make archetypal study of the play through the analysis of the psychological fantasies, cloths, gunshots and drumbeats.
This thesis consists of three parts: individual unconscious, racial unconscious and collective unconscious of human beings, and each part is correlative for psychological fantasies, cloths, gunshots and drumbeats
The conclusion is devoted to the significance of Jones’ journey in the forest and shows that Jones’ journey is not only an individual escape but also a spiritual journey of his race and human being’s as well.
Key words: The Emperor Jones; archetypal analysis; Jung; unconscious;
racial memory
摘 要
奧尼爾20年代初開始探索用新的戲劇手法去表現(xiàn)歷史與人生�！董偹够省返膭�(chuàng)作，為他贏得了極大的聲譽(yù)，成為表現(xiàn)主義戲劇思潮為美國觀眾所接受的1個(gè)重要標(biāo)志。這篇論文旨在通過幻想，服飾，槍聲和鼓點(diǎn)配合原形分析理論來進(jìn)行原形批判。
本文開始介紹了《瓊斯皇》在戲劇界中的卓越地位以及有關(guān)的創(chuàng)作背景。同時(shí)，對榮格的原形分析理論也有詳細(xì)的闡述。
整個(gè)論文分成3部分，即從個(gè)人無意識(shí)，民族無意識(shí)和人類的`集體無意識(shí)3個(gè)方面對劇本進(jìn)行原形分析。第1部分分3節(jié)分別論述個(gè)人無意識(shí)與幻影、服裝、槍聲以及鼓點(diǎn)的關(guān)系；第2部分分別論述集體無意識(shí)與幻影、服裝、槍聲和鼓點(diǎn)的關(guān)系；第3部分論述人類無意識(shí)與幻影、服裝、槍聲和鼓點(diǎn)的關(guān)系。
結(jié)尾部分，對瓊斯在森林逃跑過程中產(chǎn)生的無意識(shí)現(xiàn)象的意義進(jìn)行更深層次地探討，指出了瓊斯的奔跑歷程不僅是其個(gè)人的生活歷程更反映了整個(gè)民族，整個(gè)人類的歷史進(jìn)程。
關(guān)鍵詞：瓊斯皇；原型分析；榮格；無意識(shí)；民族回憶
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